{"id":1793,"date":"2009-03-29T15:42:07","date_gmt":"2009-03-29T15:42:07","guid":{"rendered":"http:\/\/poeticas.es\/?p=1793"},"modified":"2017-09-06T15:45:08","modified_gmt":"2017-09-06T13:45:08","slug":"oscar-cerruto","status":"publish","type":"post","link":"https:\/\/poeticas.es\/?p=1793","title":{"rendered":"\u00d3scar Cerruto"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1794\" title=\"Clamor, de Ponciano C\u00e1rdenas\" src=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/03\/oscarcerruto.jpg\" alt=\"Clamor, de Ponciano C\u00e1rdenas\" width=\"395\" height=\"280\" srcset=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/03\/oscarcerruto.jpg 395w, https:\/\/poeticas.es\/wp-content\/uploads\/2009\/03\/oscarcerruto-300x212.jpg 300w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><em>La poes\u00eda de \u00d3scar Cerruto (Bolivia, 1912-1981) se caracteriza por la concisi\u00f3n, la agudeza expresiva y el control formal. Sus libros po\u00e9ticos est\u00e1n recogidos en <\/em>C\u00e1ntico traspasado <em>(1976).<\/em><\/p>\n<p class=\"MsoNormal\"><strong>PO\u00c9TICA<\/strong><\/p>\n<p class=\"MsoNormal\">No eres s\u00f3lo el fulgor que sin mesura<br \/>\nestalla, ni su estr\u00e9pito previsto.<br \/>\nNi las apelaciones de la esfinge,<br \/>\no la avidez, o la otra idolatr\u00eda.<\/p>\n<p class=\"MsoNormal\">L\u00facida s\u00ed, flagrante certidumbre,<br \/>\nregi\u00f3n de transparencia en la que inmerso<br \/>\nest\u00e1 el tiempo, zumbando, lo que somos,<br \/>\nla boca memorable del augurio.<\/p>\n<p class=\"MsoNormal\">En un trono de hierro y santidades,<br \/>\nabiertas las heridas, y la flecha<br \/>\nde las perpetuas causas en las sienes,<\/p>\n<p class=\"MsoNormal\">eres esa palabra no gastada:<br \/>\namor; una mitad, como la aurora,<br \/>\nen sombra. Otra mitad deslumbramientos.<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><em>Patria de sal cautiva<\/em>, 1957.<\/p>\n<p><!--more--><\/p>\n<p class=\"MsoNormal\"><strong>EL POZO VERBAL<\/strong><\/p>\n<p class=\"MsoNormal\">Nada se sabe<br \/>\npero las palabras<br \/>\nse conjuran<br \/>\nhostiles<br \/>\nchillan y se acuchillan<br \/>\nsaltan en el aire<br \/>\nlo infestan<br \/>\nmovilizan llamaradas<br \/>\ncomo r\u00e1faga de toros<br \/>\ncomo tizones vivos<br \/>\nque caldean<br \/>\nla pedana del esc\u00e1ndalo.<\/p>\n<p class=\"MsoNormal\"><em>Una sola palabra<\/em><br \/>\n<em>la no pronunciada<\/em><br \/>\n<em>porque en ella est\u00e1<\/em><br \/>\n<em>inscrita <\/em><br \/>\n<em>la dispersi\u00f3n de lo que amas.<\/em><\/p>\n<p class=\"MsoNormal\">Las palabras te ensalzan<br \/>\nte festejan<br \/>\nte miman<br \/>\nte enjoyan<br \/>\nte besan las manos<br \/>\nluego te muerden.<\/p>\n<p class=\"MsoNormal\">Las palabras te encumbran<br \/>\nte glorifican<br \/>\nte esmaltan con az\u00facares<br \/>\nte visten de luz<br \/>\nte visten de flores<br \/>\nluego te escupen.<\/p>\n<p class=\"MsoNormal\">Las palabras te calzan de oro<br \/>\nte coronan con laureles<br \/>\nte reverencian<br \/>\nte abruman de lisonjas<br \/>\nluego te lapidan.<\/p>\n<p class=\"MsoNormal\">Las palabras te santifican<br \/>\nte cantan alabanzas<br \/>\nte levantan en el aire<br \/>\n\u00a1qu\u00e9 alto vas!<br \/>\nluego te entierran.<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><em>C\u00e1ntico traspasado<\/em>, 1976.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La poes\u00eda de \u00d3scar Cerruto (Bolivia, 1912-1981) se caracteriza por la concisi\u00f3n, la agudeza expresiva y el control formal. Sus libros po\u00e9ticos est\u00e1n recogidos en C\u00e1ntico traspasado (1976). PO\u00c9TICA No eres s\u00f3lo el fulgor que sin mesura estalla, ni su estr\u00e9pito previsto. Ni las apelaciones de la esfinge, o la avidez, o la otra idolatr\u00eda&#8230;. <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/poeticas.es\/?p=1793\">Leer m\u00e1s<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1,61],"tags":[],"class_list":["post-1793","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-literatura-boliviana"],"_links":{"self":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/1793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1793"}],"version-history":[{"count":3,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/1793\/revisions"}],"predecessor-version":[{"id":5148,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/1793\/revisions\/5148"}],"wp:attachment":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}