{"id":1892,"date":"2009-03-29T19:32:19","date_gmt":"2009-03-29T19:32:19","guid":{"rendered":"http:\/\/poeticas.es\/?p=1892"},"modified":"2017-09-06T15:45:07","modified_gmt":"2017-09-06T13:45:07","slug":"louise-labe","status":"publish","type":"post","link":"https:\/\/poeticas.es\/?p=1892","title":{"rendered":"Louise Lab\u00e9"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1893\" title=\"Dama en el ba\u00f1o, de Fran\u00e7ois Clouet\" src=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/03\/luiselabe.jpg\" alt=\"Dama en el ba\u00f1o, de Fran\u00e7ois Clouet\" width=\"343\" height=\"390\" srcset=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/03\/luiselabe.jpg 343w, https:\/\/poeticas.es\/wp-content\/uploads\/2009\/03\/luiselabe-263x300.jpg 263w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><em>Louise Lab\u00e9 (1525-1566), conocida con el sobrenombre de <\/em>la Belle Cordi\u00e8re<em>, es una de las m\u00e1s importantes figuras de la l\u00edrica renacentista francesa. Ovidio y Petrarca son sus principales modelos. Su obra consta de un <\/em>Debate entre la locura y el amor<em>, tres <\/em>Eleg\u00edas <em>y veinticuatro <\/em>Sonetos<em>.<\/em><\/p>\n<p class=\"MsoNormal\"><strong>OH T\u00da LA\u00daD, AMIGO EN DESVENTURA\u2026<\/strong><\/p>\n<p class=\"MsoNormal\">Oh t\u00fa la\u00fad, amigo en desventura,<br \/>\nde mis suspiros, prueba fehaciente,<br \/>\nde mis afanes, d\u00factil confidente,<br \/>\na menudo rimaste mi incordura:<\/p>\n<p class=\"MsoNormal\">y tanto el llanto urg\u00eda tu mesura,<br \/>\nque apenas en la boca un canto ardiente,<br \/>\nlo tornabas endecha de repente,<br \/>\ntono mayor trocado en amargura.<\/p>\n<p class=\"MsoNormal\">Pues de insistir, celoso, en lo contrario,<br \/>\nal silencio me obligas arbitrario:<br \/>\nmas viendo a mi ternura suspirar,<\/p>\n<p class=\"MsoNormal\">dando cabida a tristes letan\u00edas:<br \/>\nal goce de tormentos me ce\u00f1\u00edas,<br \/>\ny a dulce mal, un dulce fin buscar.<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><em>Sonetos<\/em>, XII, 1555. Traducci\u00f3n de Mar\u00eda Negroni.<\/p>\n<p><!--more--><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><strong><span lang=\"FR\">LUT, COMPAGNON DE MA CALAMIT\u00c9\u2026<\/span><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><span lang=\"FR\">Lut, compagnon de ma calamit\u00e9<br \/>\nDe mes soupirs t\u00e9moin irreprochable,<br \/>\nDe mes ennuis controlleur veritable,<br \/>\nTu as souvent avec moy lament\u00e9\u00a0: <\/span><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\">Et tant le pleur piteus t\u2019a molest\u00e9<br \/>\nQue commen\u00e7ant quelque son delectable,<br \/>\nTu le rendois tout soudein lamentable,<br \/>\nFeingnant le ton que plein avoit chant\u00e9.<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\">Et si te veus efforcer au contraire,<br \/>\nTu te destens et si me contreins taire\u00a0:<br \/>\nMais me voyant tendrement soupirer,<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\">Donnant faveur \u00e0 ma tant triste pleinte :<br \/>\nEn mes ennuis me plaire suis contreinte,<br \/>\nEt d\u2019un dous mal douce fin esperer.<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 60px;\"><em><span lang=\"FR\">Sonnets<\/span><\/em><span lang=\"FR\">, XII, 1555. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Louise Lab\u00e9 (1525-1566), conocida con el sobrenombre de la Belle Cordi\u00e8re, es una de las m\u00e1s importantes figuras de la l\u00edrica renacentista francesa. Ovidio y Petrarca son sus principales modelos. Su obra consta de un Debate entre la locura y el amor, tres Eleg\u00edas y veinticuatro Sonetos. OH T\u00da LA\u00daD, AMIGO EN DESVENTURA\u2026 Oh t\u00fa&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/poeticas.es\/?p=1892\">Leer m\u00e1s<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1,45],"tags":[62,16,54,59],"class_list":["post-1892","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-literatura-francesa","tag-escritoras","tag-petrarquismo","tag-renacimiento-tag","tag-xvi"],"_links":{"self":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/1892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1892"}],"version-history":[{"count":3,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/1892\/revisions"}],"predecessor-version":[{"id":5134,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/1892\/revisions\/5134"}],"wp:attachment":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}