{"id":2614,"date":"2009-04-11T09:07:35","date_gmt":"2009-04-11T09:07:35","guid":{"rendered":"http:\/\/poeticas.es\/?p=2614"},"modified":"2017-09-06T15:43:54","modified_gmt":"2017-09-06T13:43:54","slug":"giosue-carducci","status":"publish","type":"post","link":"https:\/\/poeticas.es\/?p=2614","title":{"rendered":"Giosu\u00e8 Carducci"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2615\" title=\"Thais, de Ercole Rosa\" src=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/04\/giosuecarducci.jpg\" alt=\"Thais, de Ercole Rosa\" width=\"300\" height=\"364\" srcset=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/04\/giosuecarducci.jpg 300w, https:\/\/poeticas.es\/wp-content\/uploads\/2009\/04\/giosuecarducci-247x300.jpg 247w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><em>Giosu\u00e8 Carducci (1835-1907) es el m\u00e1s importante poeta italiano de finales del XIX: en sus poemas se supera el formalismo caduco de la poes\u00eda decimon\u00f3nica, mediante el rechazo del sentimentalismo rom\u00e1ntico y la vuelta a las formas cl\u00e1sicas y su decir \u00e9tico.<\/em><\/p>\n<p class=\"MsoNormal\"><strong>PRELUDIO<\/strong><\/p>\n<p class=\"MsoNormal\">Odio la poes\u00eda al uso; brinda,<br \/>\nf\u00e1cil, al vulgo sus costados lacios;<br \/>\nal\u00e1rgase entre abrazos rutinarios,<br \/>\nl\u00e1nguida, y duerme.<\/p>\n<p class=\"MsoNormal\">Viva la estrofa quiero yo, que al ritmo<br \/>\nde pies y palmas en los coros salte;<br \/>\nsu ala yo atrapo al vuelo, y ella, ind\u00f3mita,<br \/>\nni\u00e9gase y lucha.<\/p>\n<p class=\"MsoNormal\">Tal la bacante, en el Ed\u00f3n nevoso,<br \/>\nde \u00e1vido fauno entre los brazos presa;<br \/>\nestrujadas, del pecho en flor las gracias<br \/>\ntiemblan m\u00e1s bellas.<\/p>\n<p class=\"MsoNormal\">Gritos y besos en la ardiente boca<br \/>\nm\u00e9zclanse; el sol en la marm\u00f3rea frente<br \/>\nr\u00ede, y la larga cabellera ondula<br \/>\ntr\u00e9mula al viento.<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><em>Odas b\u00e1rbaras<\/em>, 1899. Traducci\u00f3n de Amando L\u00e1zaro Ros.<\/p>\n<p><!--more--><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><strong>PRELUDIO <\/strong><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><span lang=\"IT\">Odio l\u2019usata poesia: concede<br \/>\ncomoda al vulgo i flosci fianchi e senza<br \/>\npalpiti sotto i consueti amplessi<br \/>\nstendesi e dorme. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><span lang=\"IT\">A me la strofe vigile, balzante<br \/>\nco \u2018l plauso e \u2018l piede ritmico ne\u2019 cori:<br \/>\nper l\u2019ala a volo io c\u00f2lgola, si volge<br \/>\nella e repugna. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><span lang=\"IT\">Tal fra le strette d\u2019amator silvano<br \/>\ntorcesi un\u2019evia su \u2018l nevoso Edone:<br \/>\npi\u00fa belli i vezzi del fiorente petto<br \/>\nsaltan compressi, <\/span><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><span lang=\"IT\">e baci e strilli su l\u2019accesa bocca<br \/>\nmesconsi: ride la marmorea fronte<br \/>\nal sole, effuse in lunga onda le chiome<br \/>\nfremono a\u2019 venti. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 60px;\"><em><span lang=\"IT\">Odi barbare<\/span><\/em><span lang=\"IT\">, 1899.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Giosu\u00e8 Carducci (1835-1907) es el m\u00e1s importante poeta italiano de finales del XIX: en sus poemas se supera el formalismo caduco de la poes\u00eda decimon\u00f3nica, mediante el rechazo del sentimentalismo rom\u00e1ntico y la vuelta a las formas cl\u00e1sicas y su decir \u00e9tico. PRELUDIO Odio la poes\u00eda al uso; brinda, f\u00e1cil, al vulgo sus costados lacios;&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/poeticas.es\/?p=2614\">Leer m\u00e1s<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1,7],"tags":[148,38],"class_list":["post-2614","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-literatura-italiana","tag-premio-nobel","tag-xix"],"_links":{"self":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/2614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2614"}],"version-history":[{"count":3,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/2614\/revisions"}],"predecessor-version":[{"id":2617,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/2614\/revisions\/2617"}],"wp:attachment":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}