{"id":487,"date":"2009-02-04T19:54:36","date_gmt":"2009-02-04T19:54:36","guid":{"rendered":"http:\/\/poeticas.es\/?p=487"},"modified":"2017-09-06T15:47:25","modified_gmt":"2017-09-06T13:47:25","slug":"rodrigo-lira","status":"publish","type":"post","link":"https:\/\/poeticas.es\/?p=487","title":{"rendered":"Rodrigo Lira"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-488\" title=\"Sin t\u00edtulo, de Samy Benmayor\" src=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/rodrigolira.gif\" alt=\"Sin t\u00edtulo, de Samy Benmayor\" width=\"359\" height=\"336\" srcset=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/rodrigolira.gif 359w, https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/rodrigolira-300x280.gif 300w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><em>La poes\u00eda del chileno Rodrigo Lira (1949-1981) se caracteriza por la introducci\u00f3n del habla y de lo coloquial en el discurso po\u00e9tico, el humor negro y la intertextualidad.<\/em><\/p>\n<p class=\"MsoNormal\"><strong>SERM\u00d3N DE LOS HOMBRECITOS MAGENTAS<\/strong><\/p>\n<h6 class=\"peque\" style=\"padding-left: 90px;\">para D. T<br \/>\nel burro y la muerte se desnudan<\/h6>\n<p class=\"MsoNormal\">No te olvides del lector, po<br \/>\npo<br \/>\nPoe<br \/>\nta: el lector de poes\u00eda<br \/>\nes el m\u00e1s exigente inteligent\u00edsimo<br \/>\nculto preparad\u00edsimo!<br \/>\nLa poes\u00eda no es para cualquiera y no<br \/>\ncualquiera escribe al \u00f3leo con el pincel<br \/>\nde Francis Bacon. Reconoce el l\u00edmite de tus<br \/>\nposibilidades. Lim\u00edtate a la acuarela,<br \/>\nen tus comienzos. Abocetea, con<br \/>\ndelicadeza. Filtra, tamiza,<br \/>\ndepura. Explora tu veta<br \/>\nsin brocear tu mina.<br \/>\n<span style=\"padding-left: 140px;\">El sonido est\u00e1 en<\/span><br \/>\nla letra. La voz, el escritor, se te da por<br \/>\na\u00f1adidura.<br \/>\n<span style=\"padding-left: 75px;\">No recargues. Nada de volteretas<\/span><br \/>\nde volatinero, rien de pirotecnia.<br \/>\nLa torta de letras no precisa crema.<\/p>\n<p class=\"MsoNormal\">No pulses tu lira por monedas de oro o<br \/>\nbronce (proverbio japon\u00e9s)<\/p>\n<p class=\"MsoNormal\">Habr\u00e1s de tomar en cuenta<br \/>\nlo de siempre: la Luna las flores la muerte<br \/>\nla tristeza. La doble articulaci\u00f3n,<br \/>\nel inasible equilibrio entre v\u00f3mito<br \/>\ny estilo, las mujeres de palabras (la Diosa),<br \/>\nlas Musas las figuras los recursos: lo<br \/>\nde Siempre, en odres otros. Medita<br \/>\ntus versos siete veces, y tu Verbo<br \/>\ncuarenta veces siete. Suma dos<br \/>\nm\u00e1s dos; descuenta<br \/>\nel IVA!<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\"><em>Proyecto de obras completas<\/em>, 1984.<\/p>\n<p><!--more--><\/p>\n<p class=\"MsoNormal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-486\" title=\"Ars Po\u00e9tique\" src=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/rodrigolira2.jpg\" alt=\"Ars Po\u00e9tique\" width=\"409\" height=\"800\" srcset=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/rodrigolira2.jpg 409w, https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/rodrigolira2-153x300.jpg 153w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La poes\u00eda del chileno Rodrigo Lira (1949-1981) se caracteriza por la introducci\u00f3n del habla y de lo coloquial en el discurso po\u00e9tico, el humor negro y la intertextualidad. SERM\u00d3N DE LOS HOMBRECITOS MAGENTAS para D. T el burro y la muerte se desnudan No te olvides del lector, po po Poe ta: el lector de&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/poeticas.es\/?p=487\">Leer m\u00e1s<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1,11],"tags":[15],"class_list":["post-487","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-literatura-chilena","tag-xx"],"_links":{"self":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=487"}],"version-history":[{"count":2,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/487\/revisions"}],"predecessor-version":[{"id":5289,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/487\/revisions\/5289"}],"wp:attachment":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}