{"id":619,"date":"2009-02-07T21:55:42","date_gmt":"2009-02-07T21:55:42","guid":{"rendered":"http:\/\/poeticas.es\/?p=619"},"modified":"2017-09-06T15:46:19","modified_gmt":"2017-09-06T13:46:19","slug":"arquiloco","status":"publish","type":"post","link":"https:\/\/poeticas.es\/?p=619","title":{"rendered":"Arqu\u00edloco"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-620\" title=\"Convidado y m\u00fasica, copa del pintor de Colmar, siglo V a. C.\" src=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/arquiloco.jpg\" alt=\"Convidado y m\u00fasica, copa del pintor de Colmar, siglo V a. C.\" width=\"347\" height=\"336\" srcset=\"https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/arquiloco.jpg 347w, https:\/\/poeticas.es\/wp-content\/uploads\/2009\/02\/arquiloco-300x290.jpg 300w\" sizes=\"auto, (max-width: 347px) 100vw, 347px\" \/><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><em>Arqu\u00edloco de Paros (VII a. C) fue maestro del yambo y la eleg\u00eda. Su poes\u00eda cuenta los pesares de su propia vida, como hijo de un noble y una esclava, desdichado en amores y mercenario, y presenta una gran variedad formal.<\/em><\/p>\n<p class=\"MsoNormal\"><strong>C\u00d3MO MARCAR EL INICIO DEL BELLO CANTO DEL DIVINO DIONISO\u2026<\/strong><\/p>\n<p class=\"MsoNormal\">C\u00f3mo marcar el inicio del bello canto del divino Dioniso,<br \/>\nel ditirambo, s\u00e9 yo, cuando el vino fulmina mis entra\u00f1as.<\/p>\n<p class=\"MsoNormal\" style=\"padding-left: 30px;\">Fragmento 77 D. Traducci\u00f3n de Carlos Garc\u00eda Gual.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arqu\u00edloco de Paros (VII a. C) fue maestro del yambo y la eleg\u00eda. Su poes\u00eda cuenta los pesares de su propia vida, como hijo de un noble y una esclava, desdichado en amores y mercenario, y presenta una gran variedad formal. C\u00d3MO MARCAR EL INICIO DEL BELLO CANTO DEL DIVINO DIONISO\u2026 C\u00f3mo marcar el inicio&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/poeticas.es\/?p=619\">Leer m\u00e1s<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1,56],"tags":[57],"class_list":["post-619","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-literatura-griega-antigua","tag-vii-a-c"],"_links":{"self":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=619"}],"version-history":[{"count":1,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/619\/revisions"}],"predecessor-version":[{"id":621,"href":"https:\/\/poeticas.es\/index.php?rest_route=\/wp\/v2\/posts\/619\/revisions\/621"}],"wp:attachment":[{"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poeticas.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}